interview

Avra Margariti

Interviewed by Sommer Schafer Read Avra Margariti's fiction piece, Clover Sommer: What a stunning story. It is beautifully complex, but at its core it i...

Steve Passey

Interviewed by John Haggerty Read Steve Passey's fiction piece, The Rooster The scenes with the Rooster and the coyote are enormously vivid. How did tho...

Jason Vredenburg

Interviewed by Sommer Schafer Read Jason Vredenburg's fiction piece, Past Tense Sommer: The point of contention between this couple—the central problem—...

Cathy Ulrich

Interviewed by John Haggerty Read Cathy Ulrich's fiction piece, The Hollow Where His Heart Would Be John: One of the things I love about this piece is i...

Roppotucha Greenberg

Interviewed by Sommer Schafer Read Roppotucha Greenberg's fiction piece, How She Stopped Being Afraid of the Dark Sommer: Your story shows us that somet...

Mercedes Lawry

Interviewed by Sommer Schafer Read Mercedes Lawry's fiction piece, It's a Beautiful Day in the Neighborhood Sommer: I love how you have made this story ...

John Saul

Interviewed by John Haggerty Read John Saul's fiction piece, Click John Haggerty: I love the ambiguous use of locks, alarms and barriers here—they confine th...

Emily Zasada

Interviewed by Sommer Schafer Read Emily Zasada's fiction piece, Morning Sun Sommer: I find this story beautiful and empowering—empowering because here ...

Rainie Oet

Read Rainie Oet's nonfiction piece, Blue Water Sandy: “Blue Water” takes place in the hospital where your paternal grandfather is having surgery. ...

Andrea Eberly

Interviewed by Sommer Schafer Read Andrea Eberly's fiction piece, The Mouse and the Walnut Shell Sommer: As fiction writers, it seems as if the bulk of ...